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Towards an Aesthetics of Production

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Towards an Aesthetics of Production
  • Leveringstid 5-8 hverdage
  • Forventet levering 04-07-2018
  • Bog, paperback (kr. 299,95) (kr. 299,95)
    1. Beskrivelse

      Throughout the twentieth century, critical art history often chose to ally itself with a restrictive brand of formalism. As a result, representation- and ideology-critical analyses regularly reduced the artwork to the bare bones (Hegel) of the material signifier in its social use. By contrast, in the texts assembled here, elements of a critical materialism are combined with an effort to reevaluate the meta-physical implications of modern abstraction and art since the 1960s. Taking Gilles Deleuze

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    2. Yderligere info
      Udgivelsesdato:
      17-11-2017
      Sprog:
      Engelsk
      ISBN13:
      9783037348857
      Sidetal:
      208
      Vægt:
      580 g
      Højde:
      25 mm
      Bredde:
      143 mm
      Længde:
      226 mm
      Forlag:
      Diaphanes AG
      Mærkat:
      Bog, paperback
      Format:
      Paperback
      • Bibliotekernes beskrivelse

        Throughout the twentieth century, art history has been too narrowly focused on formalism. As a result, analyses regularly reduced works of art to their materials, texture, and composition. By contrast, art historian Sebastian Egenhofer takes Gilles Deleuze's readings of Spinoza, Nietzsche, and Bergson as the basis for a new resistance to the overly reductive account of art history. After laying out his argument for a new aesthetics of production in introductory chapters that discuss the work of Spinoza, Nietzsche, and Bergson, as well as Heidegger and Kant, Egenhofer applies this theoretical framework to case studies on Michael Asher, Marcel Duchamp, Thomas Hirschhorn, and Piet Mondrian. An aesthetics of production does not, he argues, imply a nostalgia for the artisanal or for a work of art's singularity, but a way to bring together elements of critical materialism with a thorough reevaluation of the modern art and abstraction.

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