Prison Writing in the Twentieth Century

Provides a comprehensive survey of twentieth-century prison writing from around the worldAnalyses texts from the UK, USA, Australia, Kenya, South Africa, Egypt, Ireland, Germany, and the USSRTexts by male and female writers considered with structural balanceApproaches texts chronologically within an historical sequence of social and institutional changesBrings a specifically literary approach to material generally approached sociologically and criminologicallyTracking the evolutionary arc of prison writing across the twentieth century in an international and comparative framework, this study proposes an integrated account of the major shifts and movements in this relatively neglected genre of autobiography. Dwelling on works memoirs, novellas, poems by actual detainees, the book offers a close stylistic analysis of 12 important texts to show how prison writing moved away from the confessional and self-scrutinizing modes of an earlier tradition, to espouse openly political sentiments and solidarities. Looking at works by Oscar Wilde, Rosa Luxemburg, Ezra Pound, Primo Levi, Bobby Sands, Angela Davis, Ng?g? wa Thiong'o, and Behrouz Boochani (among others), the book shows how themes such as the annihilation of experience, dehumanization, sensory deprivation, brutality, and numbing routine are woven into distinctive textual artefacts that give evidence of an abiding human resilience in the face of raw state power.