How It Feels to Be Free

af

Du sparer 20% fra forlagets pris
How It Feels to Be Free
  • Leveringstid 5-7 hverdage
  • Forventet levering 08-05-2018
Køb til medlemspris og få altid fri fragt.
Prøv 14 dage gratis (herefter 79,-/md.).

Læs mere om Saxo Premium her.
  • Op til 70% rabat
  • Fri fragt
  • Stream 30.000 e- og lydbøger
Bog, paperback (kr. 249,95)
  1. Beskrivelse

    How It Feels to Be Free examines the role of black female entertainers in the Civil Rights movement. 20 illus.PRIZES:Winner of Winner of the Benjamin L. Hooks National Book Award Winner of the Michael Nelson Prize of the International Association for Media and History.

    Udgivelsesdato:
    23-03-2017
    Leveringstid:
    5-7 hverdage
    Rating:
    (0)
  2. Yderligere info
    Udgivelsesdato:
    23-03-2017
    Sprog:
    Engelsk
    ISBN13:
    9780190610722
    Sidetal:
    306
    Vægt:
    450
    Højde:
    19
    Bredde:
    167
    Længde:
    235
    Mærkat:
    Bog, paperback
    Format:
    Paperback
    • Bibliotekernes beskrivelse

      Winner of the Benjamin L. Hooks National Book Award Winnter of the Michael Nelson Prize of the International Association for Media and History In 1964, Nina Simone sat at a piano in New York's Carnegie Hall to play what she called a "show tune." Then she began to sing: "Alabama's got me so upset/Tennessee made me lose my rest/And everybody knows about Mississippi Goddam!" Simone, and her song, became icons of the civil rights movement. But her confrontational style was not the only path taken by black women entertainers. In How It Feels to Be Free, Ruth Feldstein examines celebrated black women performers, illuminating the risks they took, their roles at home and abroad, and the ways that they raised the issue of gender amid their demands for black liberation. Feldstein focuses on six women who made names for themselves in the music, film, and television industries: Simone, Lena Horne, Miriam Makeba, Abbey Lincoln, Diahann Carroll, and Cicely Tyson. These women did not simply mirror black activism; their performances helped constitute the era's political history.Makeba connected America's struggle for civil rights to the fight against apartheid in South Africa, while Simone sparked high-profile controversy with her incendiary lyrics. Yet Feldstein finds nuance in their careers. In 1968, Hollywood cast the outspoken Lincoln as a maid to a white family in For Love of Ivy, adding a layer of complication to the film. That same year, Diahann Carroll took on the starring role in the television series Julia. Was Julia a landmark for casting a black woman or for treating her race as unimportant? The answer is not clear-cut. Yet audiences gave broader meaning to what sometimes seemed to be apolitical performances. How It Feels to Be Free demonstrates that entertainment was not always just entertainment and that "We Shall Overcome" was not the only soundtrack to the civil rights movement. By putting black women performances at center stage, Feldstein sheds light on the meanings of black womanhood in a revolutionary time.

  3. Anmeldelser
    Log ind for at skrive en anmeldelse.

Andre bøger af

Motherhood in Black and White
How It Feels to Be Free
How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement
How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement