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Beskrivelse
Winner of the 2020 PEN Open Book AwardBest of 2019: Nonfiction - Entropy MagazineA memoir and book of mourning, a grandsons attempt to reconcile his own uncontested citizenship with his grandfathers lifelong struggle.Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose lifechild migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizenmirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting.Praise for The Grave on the Wall:Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. It is at once wistful and devastating to see Midori's life come full circle In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb.Booklist, starred reviewIn a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making.Karen Tei Yamashita, author of Letters to MemorySometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfos Pedro Pramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate.Myriam Gurba, author of MeanWithin this haunted sepulcher built out of silence, loss, and griefits walls shadowed by the traumas of racial oppression and violencea green river lined with peach trees flows beneath a bridge that leads back to the grandson.Jeffrey Yang, author of Hey, Marfa: PoemsIt is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forcesthrough slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall.Don Mee Choi, author of Hardly WarShimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpas FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge.Sesshu Foster, author of City of the FutureShimoda is a mystic writer He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. he has written a book that touches the bottom of my own soul.Bhanu Kapil, author of Ban en BanlieueThe Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjureda ritual frisson, a veracity of spirit. I am grateful to have traveled along.Trisha Low, The BelieverIt's not just a document from which Brandon Shimoda untangles the dead, but it's a portal through which the ghosts can show themselves to him. To exchange that kind of attention between the living and the dead is love.Zachary Schomburg, Willamette Week