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Beskrivelse
Antisocial behaviors including bullying, violence, and aggression have been an area of intense interest among researchers, clinicians, policy makers, and the general public because of their grievous consequences on individuals and society. Our understanding of the origins and development of these behaviors in individuals has recently progressed with the application of new scientific advancements and technologies such as neuroimaging, genomics, and research methodsthat capture behavioral changes in the first few years of life.The Origins of Antisocial Behavior: A Developmental Perspective provides an overview of the recent research on the development of antisocial behavior and synthesizes this information to inform readers not only of the risks, but also how they interact, to result in antisocial and aggressive behavior. The volume is divided into three sections: advances in neuroscience, advances in behavioral and clinical research, and legal and policy implications. Specific topics include genetic markersand aggressive behavior, the use of fMRI to track adolescent brain development, the role of peer influences on aggression, parenting and temperament, screening tools for diagnosing antisocial behavior in toddlers and adolescents, and how new research will influence interventions, policy, and future study.Experts from genetics, neuroimaging, and developmental science discuss the insights these scientific approaches have provided in understanding how nature and the environment interact in the emergence of antisocial behavior. The Origins of Antisocial Behavior is an important and unique resource that will be of use to developmental scientists, mental health professionals, and policymakers involved in the juvenile justice system.The foundation for all scholarly study in biblical law is the shared assumption that the Covenant Code, as contained in Exodus 20:23-22:33 is the oldest code of laws in the Hebrew Bible, and that all other laws are later revisions of that code. In A Law Book for the Diaspora, John Van Seters strikes at that foundation. He argues that those laws in the Covenant Code that are similar to Deuteronomy and the Holiness Code are in fact later than bothof these, dependent on them as sources, and therefore cannot be taken as the foundation of Hebrew Law. After setting forth his radical hypothesis, Van Seters proceeds to offer a vigorous defense of it by means of a detailed and systematic comparison of the Covenant Code and the other biblical legal codes. He shows that his chronology provides an entirely new understanding of the laws. Instead of fundamental laws for Israelite society, he argues, the Covenant Code must be placed in the context of the Babylonian exile. In this context they become diaspora laws with minimal cultic requirements,strong humanitarian concerns that include social contact with those outside the Jewish community, and little in the way of independent political structures. They are not village laws or primitive religious laws but laws for a semi-autonomous community within the larger imperial rule. The effect ofthis reading is to challenge not only the traditional dating of law codes in the Hebrew Bible, but also the conventional understanding of the history of ancient Israel. A persuasive presentation of a controversial thesis, A Law Book for the Diaspora will have a dramatic and far-reaching impact on the study of Hebrew Law. No student of the Hebrew Bible can afford to ignore it.This book answers questions from real classical music lovers about things they have always wondered but didn't know whom to ask. The information in this book is not readily found in music history or appreciation books, nor can it be found on line. Questions explored are: Do string players in orchestras get paid more because they play more than other instruments? Why does an orchestra tune to an oboe when there are electronic tuners? How does a composer decide whatkey to compose in? Why is the 1812 Overture played on the 4th of July? And many, many more!The answers represent behind the scenes, real world, insights into how classical musicians view and discuss these questions. There is even some insight into the jokes classical musicians find funny. This book is intended for the person who loves listening to classical music, either live or recorded and will provide hours of enjoyment as the reader invariably shakes his or her head and asks in wonderment "Who knew!"
