The Face and the Mask

Excerpt: ... that my story ended here. Alas Kombs contemptuously turned over the pistol to Scotland Yard. The meddlesome officials, actuated, as I always hold, by jealousy, found the name of the seller upon it. They investigated. The seller testified that it had never been in the possession of Mr. Kipson, as far as he knew. It was sold to a man whose description tallied with that of a criminal long watched by the police. He was arrested, and turned Queen's evidence in the hope of hanging his pal. It seemed that Mr. Kipson, who was a gloomy, taciturn man, and usually came home in a compartment by himself, thus escaping observation, had been murdered in the lane leading to his house. After robbing him, the miscreants turned their thoughts towards the disposal of the body-a subject that always occupies a first-class criminal mind before the deed is done. They agreed to place it on the line, and have it mangled by the Scotch Express, then nearly due. Before they got the body half- way up the embankment the express came along and stopped. The guard got out and walked along the other side to speak with the engineer. The thought of putting the body into an empty first-class carriage instantly occurred to the murderers. They opened the door with the deceased's key. It is supposed that the pistol dropped when they were hoisting the body in the carriage. The Queen's evidence dodge didn't work, and Scotland Yard ignobly insulted my friend Sherlaw Kombs by sending him a pass to see the villains hanged. DEATH COMETH SOON OR LATE. It was Alick Robbins who named the invalid the Living Skeleton, and probably remorse for having thus given him a title so descriptively accurate, caused him to make friends with the Living Skeleton, a man who seemed to have no friends. Robbins never forgot their first conversation. It happened in this way. It was the habit of the Living Skeleton to leave his hotel every morning promptly at ten o'clock, if the sun was shining, and to shuffle...