- Bliv medlem
-
Log ind
Du er ikke logget ind
Log ind Opret dig - Kurv
Du er ikke logget ind
Beskrivelse
Coronary heart disease is the leading cause of death worldwide affecting millions of people in both developed and developing countries. The dual aims of this book are to review the well-established and emerging risk factors in coronary heart disease and to apply this knowledge to public health approaches to disease prevention. The book includes authoritative accounts of studies within a single population and international studies, important areas of methodologicaldevelopment, trials to test preventive strategies, and the application of epidemiological and other knowledge to the development of public health policy for the prevention of widespread disease. It is an all-encompassing work containing contributions from the world authorities in the field.The book is divided into four sections. The introduction reviews advances in the understanding of, and the current status, of risk factors for CHD. Section 2 looks at recent global trends and emerging patterns of CHD morbidity and mortality in several countries, and includes chapters on work done under the auspices of WHO on the global burden of disease in relation to smoking and blood pressure. Section 3 focuses on advances in understanding the aetiology of CHD with each chapter focused on aparticular risk factor. Section 4 explores measures of prevention and intervention in terms of public health policy with specific examples from around the world.During the Chinese Cultural Revolution's rebellion against foreign influence, the piano, the musical embodiment of Western culture, became the object of intense hostility. In a nation where the world of politics and the world of art are closely linked, Western classical music was considered an imperialist intrusion, in direct conflict with the native aesthetic. In this revealing chronicle of the relationship between music and politics in 20th century China, RichardKraus examines the evolution of China's ever-changing disposition towards European music and demonstrates how the late 1900s have seen the steady Westernization of Chinese music. Placing China's cultural conflicts in global perspective, Kraus traces the lives of four Chinese musicians and reflectson how their experiences are indicative of China's place at the furthest edge of an expanding Western international order. From Kraus' study there emerges a picture of an ambivalent nation in which politicians, artisans, and intelligentsia alike feel the uneasy tensions that arise when the forces of modernization and xenophobic nationalism clash.
