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Beskrivelse
Akin in structure to the 'Critique of Post-Dialectical Idealism' (1989-91), this ensuing book builds from its initial dualistic introduction into a fully-fledged Social Transcendentalist critique, in which the by-now familiar quadruple structures of the earlier work are examined with regard to a number of new contexts, particular emphasis being placed upon music and its relationship to ideological parallels. - A Centretruths Editorial
