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Beskrivelse
PrefaceI. LANGUAGE-MUSIC-GESTURE AS SEMIOTIC SYSTEMS1. Nina Scherbak, Saint Petersburg State UniversityTheory of sign and cognitive abilities, interaction of musical and literary languages2. Konstantin V. Zenkin, Tchaikovsky Moscow State ConservatoryMusic sense and gesture3. Alexandra Krylova, Rachmaninov Rostov State ConservatoryAcousmatic objects in the space of multimedia installations4. Giula Baijan Shamilli, The State Institute for Art StudiesLanguage and Music in Aspect of a Subject-Predicate Construction: Hierarchical and Non-hierarchical Structures5. Tugral Oguzhan, Independent researcher, TurkeyOn The Syntax Of A Compound Maqam In Turkish Art Music: Yet, Another Look At Maximal Projections In Generative Grammar Studies In Music6. Anastasia Gundorina, Gnesins Russian Academy Of MusicMetaphor as a structural principle of modern musical notation
II. LANGUAGE-MUSIC-GESTURE ONSTAGE 1. Olga Manulkina, Saint Petersburg State UniversityReading Opera: Verbal vs Nonverbal in Opera Theatre at the Late 20th and Early 21st Centuries2. Sophie Benn, Case Western Reserve UniversityBy Any Other Name: Historiography and Phraseology in Dance and Music, 1820-18603. Elena Pogorelova, Saint Petersburg State UniversityA gesture and a word in a dance performance (The Wedding by Bronislava Nizhynskaya and Orpheus and Eurydice by Pina Bausch)4. Ekaterina Levina, Vaganova Ballet AcademyK.King's "Metapoiesis" as a form of intertext5. Ilia Kronchev, Saint Petersburg State UniversityLanguage of Body in Rebecca Horn's performances: the pattern of the gesture and its semiotics
III. VERBALIZATION OF MUSIC AND GESTURE1. Polina Eismont, Saint Petersburg State UniversityThe role of gestures in storytelling: static vs. dynamic2. Leonid V. Pakhomov, Elena V. Erofeeva, Tatyana E. Petrova, Perm State National Research University, Saint Petersburg State UniversityMetaphorical Space of Discourse: Modeling of a Vocal Metaphor Target-Domain3. Elena Chistova, Siberian Federal UniversityNon-verbal semiotics in dance narrative and simultaneous interpreting: a cognitive intersection4. Annamaria Minafra, Independent researcher, UKExploring gestures and body language in professional musicians during the self-reflection process on technical movement
IV. THE BEAT OF LANGUAGE1. Sofiya Ros, Utrecht UniversityWhen language has a beat: Senegalese drum language and linguistic theory2. Vera V. Evdokimova, Saint Petersburg State UniversityA comparative analysis of the long-term speech spectra in dialogues3. Tatiana Kachkovskaia, Saint Petersburg iState UniversityIntensity patterns of final and non-final IPs: a corpus-based study4. Ekaterina Zavodova, Vera Karpinskaya, Saint Petersburg State UniversityCross-modal interaction in visual tasks with rhythmical stimuli5. Jo?o Veloso, University of Porto, PortugalMetric and musical prominence in Portuguese folk verse6. T.V. Skulacheva, N.A. Slioussar, A.E. Kostyuk, A.A. Lipina, E.I. Latypov, V.M. Koroleva, V.V. Vinogradov Russian Language Institute of the Russian Academy of Sciences, Saint Petersburg State University, Higher School of Economics, MoscowInformation processing in verse and prose: experimental study
V. EMOTIONS IN LINGUISTICS AND AI-COMMUNICATION SYSTEMS1. Artemiy Kotov, Nikita Arinkin, Alexander Filatov, Liudmila Zaidelman, Anna Zinina, National Research Center Kurchatov Institute, Russian State University for the HumanitiesModel of Emotional Expressions for
