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Beskrivelse
Usability: Turning Technologies into Tools collects six essays that herald a fundamental shift in the way industry and researchers think about usability. In this new, broader definition, usability no longer means safeguarding against human error, but rather enabling human beings to learn, to use, and to adapt the equipment to satisfy better the demands and contingencies of their work. Today, three quarters of all advanced technology implementations inmanufacturing fail to achieve their performance goals because of inadequate usability. By viewing the human being as a mechanistic system component, and not a particularly reliable one, the traditional "human factors" model of usability virtually ensures that the uniquely human qualities - experience, adaptation,innovation - will be neglected, and therefore that new technologies will realize little of their true potential. Usability: Turning Technologies into Tools answers the need for better usability criteria and more effective design and usability assurance processes. In so doing, it leads the way to making a new, broader concept of usability central to design. Its chapters will be of interest to managers and professionals in computer systems, manufacturing engineering, industrial design,and human factors, as well as researchers in disciplines such as computer science, engineering, design studies, sociology, organizational behaviour and human resource management, industrial relations, education, and business strategy.Holy Brotherhood: Romani Music in a Hungarian Pentecostal Church is a musical ethnography of a religious community. After the end of socialism, different ethnic groups in Hungary harbored antagonism toward one another. In one Pentecostal church in Pecs, Hungary, however, both Hungarians and Roma (Gypsies) worshipped and made music together. Three musical repertoires coexisted, each with a separate historical background and complex social meanings: Romanireligious song; nineteenth-century gospel hymns originally from the United States; and contemporary Christian pop from the United States. Church members accommodated cultural and musical differences by developing several distinct performance styles.
