Are preventive justice measures justified? Do they needlessly blur the boundaries between criminal and civil law, signalling a change in the architecture of security? The contributors in this volume re-assess the foundations for the range of coercive measures that states now take in the name of prevention and public protection.This is a guide for the undergraduate student writing an essay, the professional writer working on a story, or the manager writing a memo for a tight deadline. It aims to
Exploring the principles and values that should guide and limit the state's use of preventive techniques that involve coercion against the individual, this volume arises from a three-year study of Preventive Justice. The contributions examine whether and when preventive measures are justified, whether within or outwith the criminal law, and whether they signal a larger change in the architecture of security. Preventive measures include controversial crime control approaches such as pre-inchoate offences, pre-trial detention, restraining orders, and prevention detention of the dangerous. There are good reasons to justify state use of coercion to protect the public from harm, but while the rationales and justifications for state punishment have been extensively explored, the scope, limits, and principles of preventive justice have not received the same attention. This volume, written by worldrenowned scholars from different disciplinary backgrounds and jurisdictions, redresses the balance, assessing the foundations for the range of coercive measures that states now take in the name of prevention and public protection.Writing with Power is a guide for the student writing an essay, the professional writer working on a story, or the manager writing a memo for a tight deadline. As Elbow explains, "Writing with power doesn't just mean getting power over readers. It means getting power over yourself and over the writing process: knowing what you are doing as you write; figuring out what you really mean; being in charge, having control; not feeling stuck or helpless orintimidated. I am particularly interested in this second kind of power in writing, and I have found that without it you seldom achieve the first kind". For the second edition, Elbow has written a new introduction in which he discusses in detail the "mysterious" dimensions of "Writing with Power" - voice, quality andbad writing, wrongness and felt sense, and sharing written work with others.
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