Theatre, Intimacy and Engagement unravels politics from theatre in order to propose a new means to politicize performance. The last human venue is the location where the sense of one's aliveness, ethical associations, and collective potential is kickstarted through the shock of theatrical affects. Performance analyses ranging from child actors, animals and objects to reflections on the innovative theatre work of Societas Raffaello Sanzio, Forced Entertainment and Goat Island combine to offer a radical critique of performance studies: the first social science of appearance.
Hvis denne bog ikke er noget for dig, kan du benytte kategorierne nedenfor til at finde andre titler. Klik på en kategori for at se lignende bøger.