The Seduction of the Occult and the Rise of the Fantastic Tale

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indgår i serie Cultural Memory in the Present


The Seduction of the Occult and the Rise of the Fantastic Tale
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Format:
Bog, hardback
Udgivelsesdato:
25-02-2003
Sprog:
Engelsk
Sidetal:
304
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The emergence of the fantastic tale in the late eighteenth and early nineteenth centuries reflects a growing fascination with the supernatural, the marvelous, and the occult as the site for literary innovation. Taking Jacques Cazotte's prototypical The Devil in Love as a starting point, this book examines the genre's early development in the fantastic tales of the German romantics Ludwig Tieck, Achim von Arnim, and E. T. A. Hoffmann; the subsequent French rediscovery of the genre in works by Th ophile Gautier and Prosper M rim e; and Edgar Allan Poe's contributions to the new literary form. The literary innovation of the fantastic tale contributed to the production of a mode of subjectivity intrinsic to the history of sexuality. It arose at a moment in the history of communication when similarity and perfect openness were no longer considered the unquestioned basis of friendship or love, when the other's potentially dark secrets became seductive and fascinating.

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Bog, paperback

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Udgivelsesdato:
25-02-2003
ISBN13:
9780804738590
Vægt:
521 g
Dybde:
23 mm
Bredde:
162 mm
Højde:
236 mm
Format:
Hardback
Udgave:
0
Bibliotekernes beskrivelse The emergence of the fantastic tale in the late eighteenth and early nineteenth centuries reflects a growing fascination with the supernatural, the marvelous, and the occult as the site for literary innovation. Taking Jacques Cazotte's prototypical The Devil in Love as a starting point, this book examines the genre's early development in the fantastic tales of the German romantics Ludwig Tieck, Achim von Arnim, and E. T. A. Hoffmann; the subsequent French rediscovery of the genre in works by Theophile Gautier and Prosper Merimee; and Edgar Allan Poe's contributions to the new literary form.
The literary innovation of the fantastic tale contributed to the production of a mode of subjectivity intrinsic to the history of sexuality. It arose at a moment in the history of communication when similarity and perfect openness were no longer considered the unquestioned basis of friendship or love, when the other's potentially dark secrets became seductive and fascinating.

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