The Religious Paintings of Hendrick ter Brugghen

- Reinventing Christian Painting after the Reformation in Utrecht

af

indgår i serie Visual Culture in Early Modernity


The Religious Paintings of Hendrick ter Brugghen
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  • Forventet levering 28-02-2020
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Format:
Bog, hardback
Udgivelsesdato:
28-07-2012
Sprog:
Engelsk
Udgave:
New edition.
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The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.

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Udgivelsesdato:
28-07-2012
ISBN13:
9781409434955
Vægt:
658 g
Dybde:
22 mm
Bredde:
171 mm
Højde:
248 mm
Format:
Hardback
Forfattere
Bibliotekernes beskrivelse Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, the author nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings: "Crowning with Thorns", the "Crucifixion", "Doubting Thomas" and the "Calling of Matthew".

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