The Making of British Bourgeois Tragedy

- Modernity and the Art of Ordinary Suffering

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The Making of British Bourgeois Tragedy
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Format:
Bog, hardback
Udgivelsesdato:
09-10-2019
Sprog:
Engelsk
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The 'rise of the middle class' in the eighteenth century has long been taken to usher in a prosaic age synonymous with the death of tragedy, an age in which the sheer ordinariness of bourgeois life was both antithetical and inured to the tragic. But the period's literature tells a very different story. Re-assembling a body of print and performance concerned with the misfortunes of the middling sort, The Making of British Bourgeois Tragedy argues that theseworks imagined a particularly modern sort of affliction, an 'ordinary suffering' proper to ordinary life, divested of the sorts of meanings, rhetorics, and affective resonances once deployed to understand it. Whereas neoclassical aesthetics aligned tragedy with the heroic and the admirable, this 'bourgeois and domestic tragedy' treated the pain of common people with dignity and seriousness, meditating upon a suffering that was homely, familiar, entangled in the nascent values of capitalism, yet no less haunted by God. Hence, where many have seen aesthetic stagnation, misfiring emotion, and the absence of an idealized tragicness in the genre, this volume sees instead a sustained engagement in theemotional processes and representational techniques through which the middle rank feels its way into modernity. By attending closely to this long neglected subject, The Making of British Bourgeois Tragedy turns the critical account of eighteenth-century tragedy on its head. It reads the genre'semergence in the period as a vigorous cultural conversation on whose life-and whose way of life-is grievable, as well as how mourning might be performed

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Udgivelsesdato:
09-10-2019
ISBN13:
9780198846574
Vægt:
492 g
Dybde:
20 mm
Bredde:
143 mm
Højde:
220 mm
Format:
Hardback
Forfattere
Bibliotekernes beskrivelse A study of eighteenth-century dramatic and narrative tragedies that explores the relation between personal misfortune and the emerging values that would define the everyday experience of the middle class. The volume discusses the work of George Lillo, Samuel Richardson, Aaron Hill, and Sarah Fielding, among others. 16 Illustrations

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