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Bog, hæftet The International Studio, Vol. 59: An Illustrated Magazine of Fine and Applied Art; Comprising July, August, September and October, 1916, Numbers 233, af Unknown Author

The International Studio, Vol. 59: An Illustrated Magazine of Fine and Applied Art; Comprising July, August, September and October, 1916, Numbers 233,

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Excerpt from The International Studio, Vol. 59: An Illustrated Magazine of Fine and Applied Art; Comprising July, August, September and October, 1916, Numbers 233, 234, 235, 236

If vou come to think of it. Remembering the millions of portraits there have been. It is no Common... Læs mere

Excerpt from The International Studio, Vol. 59: An Illustrated Magazine of Fine and Applied Art; Comprising July, August, September and October, 1916,... Læs mere

Produktdetaljer:

Sprog:
Engelsk
ISBN-13:
9781334342851
Sideantal:
358
Udgivet:
01-11-2016
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Excerpt from The International Studio, Vol. 59: An Illustrated Magazine of Fine and Applied Art; Comprising July, August, September and October, 1916, Numbers 233, 234, 235, 236

If vou come to think of it. Remembering the millions of portraits there have been. It is no Common talent which can place a head on a can vas in such a way that (without being eccentric) the pose appears new. You forget all the por traits vou have seen before when vou see this easy and ¿uid style.

In his introduction to her catalogue Martin Birnbaum told the history of her style: which is never the ease of a slap-dash painter, but always of one who has outgrown a fine discipline.

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Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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