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Bog, hæftet The International Studio, Vol. 35: An Illustrated Magazine of Fine and Applied Art; Comprising July, August, September and October, 1908; Numbers 137 af Unknown Author

The International Studio, Vol. 35: An Illustrated Magazine of Fine and Applied Art; Comprising July, August, September and October, 1908; Numbers 137

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Excerpt from The International Studio, Vol. 35: An Illustrated Magazine of Fine and Applied Art; Comprising July, August, September and October, 1908; Numbers 137 to 140

Sketches by W. Curtis Green 24; Path of Paris. By Frank Rutter 24° Photographer's Handbook. By Harrison an... Læs mere

Excerpt from The International Studio, Vol. 35: An Illustrated Magazine of Fine and Applied Art; Comprising July, August, September and October, 1908;... Læs mere

Produktdetaljer:

Sprog:
Engelsk
ISBN-13:
9781334345050
Sideantal:
514
Udgivet:
01-11-2016
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Forlagets beskrivelse
Excerpt from The International Studio, Vol. 35: An Illustrated Magazine of Fine and Applied Art; Comprising July, August, September and October, 1908; Numbers 137 to 140

Sketches by W. Curtis Green 24; Path of Paris. By Frank Rutter 24° Photographer's Handbook. By Harrison and Douglas 243 Practical Hints on hiadel'ing, Design and Mural Decoration. By Henry F. \v. Ganz cxiv Raumkunst. By Georg Honold 319 Scottish Painting, Past and Present (1620 By James L. Caw 167 Seven Centuries of Lace. By Mrs. John Hungerford Pollen 318 Summer Garden of Pleasure. BV Mrs. Stephen Batson 242 Tower of London. Painted bv John Fullevlove. Described bv Arthur Povser 318 Umbrien. By Paul Stefan and Ernst Diez Um 1800. Architektur und Handwerk im letzten Jahrhundert 'ihrer traditionellen Entu'iclzlung Herausgege.

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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