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Bog, hæftet The Ilam Anastatic Drawing Society, 1864 (Classic Reprint) af G. R. Mackarness

The Ilam Anastatic Drawing Society, 1864 (Classic Reprint)

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Excerpt from The Ilam Anastatic Drawing Society, 1864

Gibrqms filinurt, ¿anks. Tyrer, 12'q Chequers Court, the residence of Lady Anne Frankland Russell, is picturesquely situated about half a mile from the parish church of Ellesborough, it is supposed to have been erected by ... Læs mere

Excerpt from The Ilam Anastatic Drawing Society, 1864

Gibrqms filinurt, ¿anks. Tyrer, 12'q Chequers Court, the residence of Lady Anne Frankla... Læs mere

Produktdetaljer:

Sprog:
Engelsk
ISBN-13:
9781334405051
Sideantal:
158
Udgivet:
01-11-2016
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Excerpt from The Ilam Anastatic Drawing Society, 1864

Gibrqms filinurt, ¿anks. Tyrer, 12'q Chequers Court, the residence of Lady Anne Frankland Russell, is picturesquely situated about half a mile from the parish church of Ellesborough, it is supposed to have been erected by the Hawtree family, former proprietors, about the year 1326, and repaired about 1566 modernized by Sir Robert G. Russell, and still more recently improved by its present possessor. Near the north-west angle of the building is preserved with great care the decaying trunk of an elm of enormous size, said to have been planted by King Stephen. There is a good collection of portraits and other pictures. Among the principal of these may be mentioned, portraits of Oliver Cromwell, whole length, in full ar mour, and his two sons, and four daughters, a length of Hampden, one of the Protector when a child, and a picture of King Charles II after the battle of Worcester meeting with Lord Worcester and Colonel Gunter.

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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