The Arcades Project

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The Arcades Project
  • Forlagets pris kr. 349,95
  • Leveringstid 5-7 hverdage
  • Forventet levering 08-05-2018
Bog, paperback (kr. 264,95)
  1. Beskrivelse

    This work is Benjamin's effort to represent and to critique the bourgeois experience of 19th century history. In it, he looks at 'les passage' of Paris, which he considered the most important architectural forms of the 19th century and which he linked with a number of phenomena charac... Læs mere

    Udgivelsesdato:
    25-03-2002
    Leveringstid:
    5-7 hverdage
    Rating:
    (0)
  2. Yderligere info
    Udgivelsesdato:
    25-03-2002
    Sprog:
    Engelsk
    ISBN13:
    9780674008021
    Sidetal:
    1088
    Vægt:
    1511
    Højde:
    44
    Bredde:
    165
    Længde:
    254
    Mærkat:
    Bog, paperback
    Format:
    Paperback
    • Bibliotekernes beskrivelse

      To great writers, Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labour their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of 13 years - "the theatre," as the author called it, "of all my struggles and all my ideas." Focusing on the arcades of 19th century Paris - glass-roofed rows of shops that were early centres of consumerism - Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in 36 categories with descriptive rubrics such as "fashion," "boredom," "dream city," "photography," "catacombs," "advertising," "prostitution," "baudelaire," "theory of progress." His central preoccupation is what he calls the commodification of things -a process in which he locates the decisive shift to the modern age. This book is Benjamin's effort to represent and to critique the bourgeois experience of 19th century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask.In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.

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