Singing the Congregation

- How Contemporary Worship Music Forms Evangelical Community

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Singing the Congregation
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Format:
Bog, hardback
Udgivelsesdato:
29-10-2018
Sprog:
Engelsk
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The Oxford History of Anglicanism is a major new and unprecedented international study of the identity and historical influence of one of the world's largest versions of Christianity. This global study of Anglicanism from the sixteenth century looks at how was Anglican identity constructed and contested at various periods since the sixteenth century; and what was its historical influence during the past six centuries. It explores not just the ecclesiasticaland theological aspects of global Anglicanism, but also the political, social, economic, and cultural influences of this form of Christianity that has been historically significant in western culture, and a burgeoning force in non-western societies today. The chapters are written by international exports intheir various historical fields which includes the most recent research in their areas, as well as original research. The series forms an invaluable reference for both scholars and interested non-specialists. Volume two of The Oxford History of Anglicanism explores the period between 1662 and 1829 when its defining features were arguably its establishment status, which gave the Church of England a political and social position greater than before or since. The contributors explore the consequences for the Anglican Church of its establishment position and the effects of being the established Church of an emerging global power. The volume examines the ways in which the Anglican Church engagedwith Evangelicalism and the Enlightenment; outlines the constitutional position and main challenges and opportunities facing the Church; considers the Anglican Church in the regions and parts of the growing British Empire; and includes a number of thematic chapters assessing continuity andchange.Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes-concert, conference, church, public, and networked congregations-Singing the Congregation reinvigorates the analytic categories of "congregation" and"congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice-in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America andbeyond.

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Bog, paperback

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Udgivelsesdato:
29-10-2018
ISBN13:
9780190499631
Vægt:
590 g
Dybde:
22 mm
Bredde:
163 mm
Højde:
238 mm
Format:
Hardback
Forfattere
Bibliotekernes beskrivelse A volume considering the history of the Anglican studies from 1662-1829.Music Making Congregations explores how contemporary worship music has brought new modes of congregating into being within evangelical Christianity. Through ethnographies of concert, conference, church, public, and networked congregations, this book shows how music shapes evangelical community relative to other groups in North America and beyond. 33 illus.

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