Rethinking Mahler

- Barham, J: Rethinking Mahler

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Studiebog
Rethinking Mahler
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Format:
Bog, hardback
Udgivelsesdato:
28-09-2017
Sprog:
Engelsk
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As one of the most popular classical composers in the performance repertoire of professional and amateur orchestras and choirs across the world, Gustav Mahler continues to generate significant interest, and the global appetite for his music, and for discussions of it, remains large. Editor Jeremy Barham brings together leading and emerging scholars in the field to explore Mahler's relationship with music, media, and ideas past and present, addressing issues in structural analysis, performance, genres of stage, screen and literature, cultural movements, aesthetics, history/historiography and temporal experience. Rethinking Mahler counterbalances prevailing scholarly assumptions and preferences that configure Mahler as proto-modernist, with hitherto neglectedconsideration of his debt to, and his re-imagining of, the legacies of his own historical past. Over the course of 17 chapters drawing from a variety of disciplinary perspectives, the book pursues ideas of nostalgia, historicism and 'pastness' in relation to an emergent modernity and subsequent musical-culturaldevelopments, yielding a wide-ranging exploration and re-evaluation of Mahler's works, their historical reception and understanding, and their resounding impact within diverse cultural contexts. Rethinking Mahler will be an essential resource for scholars and students of Mahler and late Romantic era music more generally, and will also find an audience among the many devotees of Mahler's music.

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Udgivelsesdato:
28-09-2017
ISBN13:
9780199316090
Vægt:
754 g
Dybde:
30 mm
Bredde:
164 mm
Højde:
242 mm
Format:
Hardback
Forfattere
Bibliotekernes beskrivelse In symphony and song, meaning and legacy, Mahler continues to present contradictory challenges. Rethinking Mahler locates the composer's music in a rich, multi-layered historical network in order to address these challenges, offering a fresh assessment of the debt he owed to his own musical and cultural past, and exploring new avenues in his posthumous reception and understanding. 113 line, 47 halftone

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