FRI FRAGT FRI FRAGT 00T 00M 00S Tilbage

Pastiche, Fashion, and Galanterie in Chardin's Genre Subjects

af

Du sparer 27% fra forlagets pris Du sparer 27% fra forlagets pris
Pastiche, Fashion, and Galanterie in Chardin's Genre Subjects
  • Forlagets pris kr. 369,95
  • Leveringstid 5-9 hverdage
  • Forventet levering 03-07-2018
  • Bog, paperback (kr. 269,95) (kr. 269,95)
    1. Beskrivelse

      This book analyzes the genre subjects created by Jean Simeon Chardin in the 1730s and 1740s as exemplars of a period-specific aesthetic known as the gout moderne or Modern taste, a category shaped by the literary Quarrel of the Ancients versus the Moderns. 48 Illustrations, black and white

      Andre udgaver:

      E-bog, ePub

    2. Yderligere info
      Udgivelsesdato:
      08-11-2016
      Sprog:
      Engelsk
      ISBN13:
      9781611496413
      Sidetal:
      206
      Vægt:
      313 g
      Højde:
      14 mm
      Bredde:
      151 mm
      Længde:
      230 mm
      Mærkat:
      Bog, paperback
      Format:
      Paperback
      • Bibliotekernes beskrivelse

        Pastiche, Fashion and Galanterie in Chardin's Genre Subjects seeks to understand how Chardin's genre subjects were composed and constructed to communicate certain things to the elites of Paris in the 1730s and 1740s. This book argues against the conventional view of Chardin as the transparent imitator of bourgeois life and values so ingrained in art history since the nineteenth century. Instead, it makes the case that these pictures were crafted to demonstrate the artist's wit (esprit) and taste, traits linked to conventions of seventeenth-century galanterie. Early eighteenth-century Moderns like Jean-Simeon Chardin (1699-1779) embraced an aesthetic grounded upon a notion of beauty that could not be put into words-the je ne sais quoi. Despite its vagueness, this model of beauty was drawn from the present, departed from standards of formal beauty, and could only be known through the critical exercise of taste. Though selecting subjects from the present appears to be a simple matter, it was complicated by the fact that the modernizers expressed themselves through the vehicles of older, established forms. In Chardin's case, he usually adapted the forms of seventeenth-century Dutch and Flemish genre painting in his genre subjects. This gambit required an audience familiar enough with the conventions of Lowlands art to grasp the play involved in a knowing imitation, or pastiche. Chardin's first group of enthusiasts accordingly were collectors who bought works of living French artists as well as Dutch and Flemish masters from the previous century, notably aristocratic connoisseurs like the chevalier Antoine de la Roque and Count Carl-Gustaf Tessin.

    3. Anmeldelser

      Kundernes boganmeldelser af Pastiche, Fashion, and Galanterie in Chardin's Genre Subjects

    Fandt du ikke hvad du søgte?

    Hvis denne bog ikke er noget for dig, kan du benytte kategorierne nedenfor til at finde andre titler. Klik på en kategori for at se lignende bøger.