Stuart A. Day examines Mexican plays from 1905 to 2015 to explore the concept of “outside theater,” where people or groups translate the tools of the theatrical trade to a different stage, outside the walls of the theater, and play the part of fictional or real life Celestinas—matchma... kers who unite seemingly disparate entities to promote social awareness and social action by working the borders between life and art.
"Outside Theater looks at how written words and performances have been used to promote civic engagement and provoke activism in Mexico"--Provided by publisher.
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