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Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets

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Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets
  • Forlagets pris kr. 1.359,95
  • Leveringstid 5-9 hverdage
  • Forventet levering 29-06-2018
  • Bog, hardback (kr. 984,95) (kr. 984,95)
    1. Beskrivelse

      24 Halftones, black and white; 24 Illustrations, black and white

      Andre udgaver:

      E-bog, PDF
      E-bog, ePub

    2. Yderligere info
      Udgivelsesdato:
      14-03-2017
      Sprog:
      Engelsk
      ISBN13:
      9781472489197
      Sidetal:
      304
      Vægt:
      567 g
      Bredde:
      159 mm
      Længde:
      235 mm
      Mærkat:
      Bog, hardback
      Format:
      Hardback
      • Bibliotekernes beskrivelse

        In Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets, Linda A. Kinnahan explores the making of Mina Loy's late modernist poetics in relation to photography's ascendance, by the mid-twentieth century, as a distinctively modern force shaping representation and perception. As photography develops over the course of the century as an art form, social tool, and cultural force, Loy's relationship to a range of photographic cultures emerging in the first half of the twentieth century suggests how we might understand not only the intriguing work of this poet, but also the shaping impact of photography and new technologies of vision upon modernist poetics. Framing Loy's encounters with photography through intersections of portraiture, Surrealism, fashion, documentary, and photojournalism, Kinnahan draws correspondences between Loy's late poetry and visual discourses of the body, urban poverty, and war, discerning how a visual rhetoric of gender often underlies these mappings and connections. In her final chapter, Kinnahan examines two contemporary poets who directly engage the camera's modern impact -Kathleen Fraser and Caroline Bergvall - to explore the questions posed in their work about the particular relation of the camera, the photographic image, and the construction of gender in the late twentieth century.

    3. Anmeldelser

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