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Bog, hæftet Loan Exhibition of Tapestries, Assembled, Arranged and Catalogued by George Leland Hunter: October 5th to December 1st Inclusive, 1918 (Classic Reprin af Cleveland Museum of Art

Loan Exhibition of Tapestries, Assembled, Arranged and Catalogued by George Leland Hunter: October 5th to December 1st Inclusive, 1918 (Classic Reprin

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Excerpt from Loan Exhibition of Tapestries, Assembled, Arranged and Catalogued by George Leland Hunter: October 5th to December 1st Inclusive, 1918

But if we are to continue to hold our American mar kets after the war, and gain others in the face of renewed European competiti... Læs mere

Excerpt from Loan Exhibition of Tapestries, Assembled, Arranged and Catalogued by George Leland Hunter: October 5th to December 1st Inclusive, 1918
... Læs mere

Produktdetaljer:

Sprog:
Engelsk
ISBN-13:
9781334341229
Sideantal:
36
Udgivet:
01-11-2016
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Forlagets beskrivelse
Excerpt from Loan Exhibition of Tapestries, Assembled, Arranged and Catalogued by George Leland Hunter: October 5th to December 1st Inclusive, 1918

But if we are to continue to hold our American mar kets after the war, and gain others in the face of renewed European competition, we must continue to elevate the standards of our art industries and learn to rival even the French in matters of style and taste. The consecration to military service of men of military age renders all the more difficult, but also all the more vital, the task imposed upon the rest of us.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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