Dances of the Self in Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine

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Dances of the Self in Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine
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Format:
Bog, hardback
Udgivelsesdato:
28-10-2006
Sprog:
Engelsk
Udgave:
New edition.
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Lucia Ruprecht's study is the first monograph in English to analyse the relationship between nineteenth-century German literature and theatrical dance. Combining cultural history with close readings of major texts by Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine, the author brings to light little-known German resources on dance to address the theoretical implications of examining the interdiscursive and intermedial relations between the three authors' literary works, aesthetic reflections on dance, and dance of the period. In doing so, she not only shows how dancing and writing relate to one another but reveals the characteristics that make each mode of expression distinct unto itself. Readings engage with literary modes of understanding physical movement that are neglected under the regime of eighteenth-century aesthetic theory, and of classical ballet, setting the human, frail and expressive body against the smoothly idealised neoclassicist ideal. Particularly important is the way juxtaposing texts and performance practice allows for the emergence of meta-discourses about trauma and repetition and their impact on aesthetics and formulations of the self and the human body. Related to this is the author's concept of performative exercises or dances of the self which constitute a decisive force within the formation of subjectivity that is enacted in the literary texts. Joining performance studies with psychoanalytical theory, this book opens up new pathways for understanding Western theatrical dance's theoretical, historical and literary continuum.

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Udgivelsesdato:
28-10-2006
ISBN13:
9780754653615
Vægt:
408 g
Bredde:
156 mm
Højde:
234 mm
Format:
Hardback
Forfattere
Bibliotekernes beskrivelse Combining cultural history with close readings of major texts by Heinrich von Kleist, ETA Hoffmann and Heinrich Heine, this book addresses the theoretical implications of examining the interdiscursive and intermedial relations between the three authors' literary works, aesthetic reflections on dance, and dance of the period.PRIZES:Commended for de La Torre Bueno Prize 2007

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