Berlinde De Bruyckere: Philippe Vandenberg

- Innocence is precisely: never to avoid the worst.

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Berlinde De Bruyckere: Philippe Vandenberg
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Format:
Bog, hardback
Udgivelsesdato:
01-10-2012
Sprog:
Engelsk
Sidetal:
136
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A selection of drawings by two Belgian artists: Philippe Vandenberg, painter, and Berlinde De Bruyckere, sculptress. Philippe Vandenberg (Ghent, 1952 - Brussels, 2009) was a foremost Belgian painter, whose oeuvre presented a series of radical stylistic and thematic shifts, reflecting both a personal trajectory and responses to varying socio-cultural changes. The creative basis of Berlinde De Bruyckere's drawings, sculptures and installations, is rooted in her childhood, and has been layered over with subsequent experiences and ideas. Its figurative points of departure render her work highly recognizable. Even though their oeuvres are so divergent in approach, sensibility, imagery, style, iconography, they show some strong affinity. As far as the content of their work is concerned, the two artists share parallel existential views, as well as a deep interest in the literary world, in the history of Western art, and in the traditions of religious imagery. The starting point is Berlinde De Bruyckere's intuitive selection from Philippe Vandenberg's legacy of drawings. For more than one year she leafed through his work. From the extensive amount of drawings that he left behind, she selected about 70 items and joined them to a selection from her own drawings. This book is the reflection of a meeting. It is a dialogue, not between artists who may, or may not, have known each other, but between their corpus of drawings.

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Udgivelsesdato:
01-10-2012
ISBN13:
9788857214146
Vægt:
1070 g
Dybde:
18 mm
Bredde:
240 mm
Højde:
280 mm
Forlag:
Skira
Format:
Hardback
Bibliotekernes beskrivelse Berlinde De Bruyckeres creative basis are drawings, sculptures and installations that is rooted in her childhood, and has been layered over with subsequent experiences and ideas. This book is the reflection of a meeting. It is a dialogue, not between artists who may, or may not, have known each other, but between their corpus of drawings. Illustrated in colour with sketches

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