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Bog, hæftet Benedetto Croce: Philosopher of Art and Literary Critic (Classic Reprint) af Gian Napoleone Giordano Orsini

Benedetto Croce: Philosopher of Art and Literary Critic (Classic Reprint)

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Excerpt from Benedetto Croce: Philosopher of Art and Literary Critic

In Italian of course there are several aids to the study of Croce, including a full bibliography, completely indexed; see Appendix 2. But there are still a number of unsettled points concerning the developme... Læs mere

Excerpt from Benedetto Croce: Philosopher of Art and Literary Critic

In Italian of course there are several aids to the study of Croce, inclu... Læs mere

Produktdetaljer:

Sprog:
Engelsk
ISBN-13:
9781333932329
Sideantal:
380
Udgivet:
01-10-2016
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Excerpt from Benedetto Croce: Philosopher of Art and Literary Critic

In Italian of course there are several aids to the study of Croce, including a full bibliography, completely indexed; see Appendix 2. But there are still a number of unsettled points concerning the development of Croce's thought and the chronology of his doctrines. The current view of this chronology as it refers to aesthetic theory is cited above, but each date may be pushed backwards. The theory of art as expression is already outlined in a book of 1893. The lyrical intuition, announced in the Heidelberg lecture of 1908, was already formulated in the first draft of the Logic The first formulation of ex pression as an a priori synthesis is dated, even by some Italian scholars, in 1912, but it is to be found in the Logic of 1908. The cosmic intuition is dated 1918, but it is already found in a book which goes back to 1915. My book gives some attention to chronology, but does not attempt to solve all the relative problems. A complete study of Croce's intellectual develop ment still remains to be done.

However, the ultimate aim of this work is not biographical or purely historical but critical. The goal has been to see whether there is a practical theory of literary criticism in Croce. Are the problems of criticism solved more clearly and satisfactorily when viewed from Croce's standpoint? Is the question I have asked myself throughout. Accordingly, I have endeavored to see things as much as possible from his point of View and to present his doctrines in the most favorable light. However, dissent will appear on three main points of doctrine: Croce's handling of the image in his theory of practical criticism (chapters III and VIII), his third or universalistic aesthetics (chapter XI) and his later criticism of contemporary writing (chapter XIV).

In other words, Croce in this book has been criticized only from within, when his conclusions appeared to be inconsistent with his premises. Of course these premises themselves are sub jcet to discussion. But this discussion is profitable only when it arises out of complete knowledge of what Croce had to say.

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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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